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What happens when two hustlers hit the road and among them suffers from narcolepsy, a slumber disorder that causes him to all of a sudden and randomly fall asleep?

To anyone familiar with Shinji Ikami’s tortured psyche, however — his daddy issues and severe doubts of self-worth, let alone the depressive anguish that compelled Shinji’s real creator to revisit the kid’s ultimate choice — Anno’s “The top of Evangelion” is nothing less than a mind-scrambling, fourth-wall-demolishing, soul-on-the-monitor meditation to the upside of suffering. It’s a self-portrait of the artist who’s convincing himself to stay alive, no matter how disgusted he might be with what that entails. 

It’s fascinating watching Kathyrn Bigelow’s dystopian, slightly-futuristic, anti-police film today. Partly because the director’s later films, such as “Detroit,” veer to this point away from the anarchist bent of “Strange Days.” And still it’s our relationship to footage of Black trauma that is different far too.

There is definitely the tactic of bloody satisfaction that Eastwood takes. As this country, in its endless foreign adventurism, has so many times in ostensibly defending democracy.

On the audio commentary that Terence Davies recorded with the Criterion Collection release of “The Long Day Closes,” the self-lacerating filmmaker laments his signature loneliness with a devastatingly casual feeling of disregard: “As a repressed homosexual, I’ve always been waiting for my love to come.

that attracted massive stars (including Robin Williams and Gene Hackman) and made a comedy movie killing on the box office. About the surface, it might look like loaded with gay stereotypes, but beneath the broad exterior beats a tender heart. It was directed by Mike Nichols (

From the films of David Fincher, everybody needs a foil. His movies usually boil down for the elastic push-and-pull between diametrically opposed characters who reveal themselves through the tension of whatever ties them together.

Established in Calvinist small town hot4lexi atop the Scottish xxn x Highlands, it's the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman who has sex with other Gentlemen to please her husband after a mishap has left him immobile. —

They’re looking for love and intercourse inside the last days of disco, for the start of the ’80s, and have to swat away plenty of Stillmanian assholes, like Chris Eigeman being a drug-addicted club manager who pretends for being gay to dump women without guilt.

However, if someone else is responsible for developing “Mima’s Room,” how does the site’s site appear to know more about Mima’s thoughts and anxieties than she does herself? Transformatively adapted from a pulpy novel that experienced much less on its mind, “Perfect Blue” tells a DePalma-like story of violent obsession that soon accelerates into the stuff of a full-on psychic collapse (or two).

In addition to giving freexxx many viewers a first glimpse into urban queer culture, this landmark documentary about New York City’s underground ball scene pushed the Black and Latino gay communities to the forefront with the first time.

” The kind of movie that invented conditions like “offbeat” and “quirky,” this film makes minimal-finances filmmaking look easy. Released in 1999 with the tail end of The brand new Queer Cinema wave, “But I’m a Cheerleader” bridged the gap between the first scrappy queer indies plus the hyper-commercialized pornstars “The L Word” period.

“Raise the Red Lantern” challenged staid perceptions of Chinese cinema from the West, and sky-rocketed actress Gong Li to international stardom. At home, however, the film was criticized for trying to appeal to foreigners, and even banned from screening in theaters (it absolutely was later permitted to air on television).

The crisis of id in the heart of Kiyoshi Kurosawa’s 1997 international breakthrough “Cure” addresses an essential truth about Japanese Culture, where new porn videos “the nail that sticks up gets pounded down.” Although the provocative existential concern at the core in the film — without your occupation and your family and your place while in the world, who are you really?

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